The Room Where It Happens

One of the most, if not the most overlooked aspects of a quality recording is room acoustics. Just walk into the bathroom and shut the door. Place yourself in the middle of the room and clap your hands. Hear that echo? That is precisely the wrong place to record your podcast. If you walk into the room you plan to record your podcast and do the same thing and get a similar result your going to have problems. The recording will sound “confused” with your voice being heard multiple times at multiple levels and often one sentence bleeding into the next. What does a good space sound like? Surprisingly you probably have a great example sitting in your garage or driveway. Most cars (or SUVs for that matter) are near studio-quality recording spaces but I don’t expect you to do your podcast in one. Try clapping your hands in the car. It should be a single sharp tone without any echo at all, which is much closer to what you are looking for.

So what if your space sounds more like the bathroom? There are a few steps you can take to lower the amount of echo to make the space better suited to recording. First, look around the space and see if there are any hard surfaces you can eliminate. Hardwood floor? Try a rug. Windows? Some drapes will do. Add soft items to the room such as fabric furniture, especially in corners. You can even put up a rod and some thick drapes along a wall, or go the route of acoustic foam or the less permanent but more costly acoustic panels on the walls. Two things to consider with acoustic foam or panels. First, make sure you are buying a product that is fire-retardant. Cheap acoustic foam that isn’t certified to be flame retardant is like putting fuel all over your walls. Second, you don’t need 100% coverage to be effective as even 25% coverage can make a big difference. Eliminating all the echo is not the goal, just reducing it so it isn’t noticeable. Lastly don’t think that adding sound panels to your walls will keep outside noises from getting into the room or for that matter keeping your sound inside the room, they are merely to reduce sound reflections, they are not “soundproofing” materials. To keep the room sounds from getting in, or out, you need to stop air movement between spaces such as sealing doors with weather stripping or a door sweep at the bottom to make it as close to air-tight as possible. If possible heating and AC vents should be closed as they can often bring in sounds from the entire house. Once you have a reasonably good-sounding room then spend your time, money, and effort into addressing specific issues that are particular to your space rather than initially trying to address every issue that “could” be a problem when in fact it might not even be a problem at all.  

Podcasting – Tools of the Trade

Two of the most important tools I have with me when recording a podcast are not audio-related items at all; pen and paper. Editing a program is one of the most powerful tools for making a listenable program the podcaster has at their disposal. Without a guide on when and what to edit you’ll be forced to listen to the program again, in its entirety, which can be time-consuming and tedious. So rather than using something electronic we keep it simple and just use a pen and paper. Just a quick note including the time and a basic description of the reason for editing is all that’s required. My page will often say something like “3:19 cough” (self-explanatory) or “5:20 double take” (that brief start to a sentence you almost immediately rephrase). These are the types of things that are easy to miss in editing as they are not visually apparent in the waveform when editing but make it easier to listen to the show, especially while wearing headphones. The second main use for the pen and paper is to write down notes you wish to convey to the host or to a guest that you don’t wish to say out loud. Sometimes it’s as simple as the current length of a segment or a reminder of a question the host wanted to ask. Sometimes it is to remind someone to “stay on the mic.” Stopping a recording to convey messages is one of the worst things you can do as it almost always affects the “flow” of the conversation as it reminds everyone involved of the recording aspect of what you are doing, and once the “flow” is gone it is very difficult to get it going again.